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本人醉爱书法,痴迷炒股,喜欢油画,更喜欢过一种真心主义、自我超越并富有张力的生活方式,我的博客主要关注书法和经济两个领域。

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【转载】神与色的长廊—80—Arnold Bocklin  

2015-02-07 11:51:50|  分类: 书法油画作品欣 |  标签: |举报 |字号 订阅

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本文转载自菩提醉的绘画艺术博客《神与色的长廊—80—Arnold Bocklin》
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—80—Arnold Bocklin - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 He studied at Düsseldorf where he became a friend of Ludwig Andreas Feuerbach. Originally a landscape painter, his travels through Brussels, Zurich, Geneva and Rome, exposed him to classical and Renaissance art, and the Mediterranean landscape. These new influences brought allegorical and mythological figures into his compositions. In 1866 he resided at Basel, in 1871 in Munich, in 1885 in Hottingen (Switzerland) and at the end of his life in Fiesole near Florence. Isle of the Dead (Die Toteninsel)Influenced by Romanticism his painting is symbolist with mythological subjects often overlapping with the Pre-Raphaelites. His pictures portray mythological, fantastical figures along classical architecture constructions (revealing often an obsession with death) creating a strange, fantasy world. B?cklin is best known for his five versions of Isle of the Dead, which partly evokes the English Cemetery, Florence, close to his studio and where his baby daughter Maria had been buried. An early version of the painting was commissioned by a Madame Berna, a widow who wanted a painting with a dream-like atmosphere.[1] Clement Greenberg wrote in 1947 that B?cklin's work "is one of the most consummate expressions of all that was now disliked about the latter half of the nineteenth century."
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